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Excellence in sound is our legacy
Lockwood has been building point-source loudspeakers in Britain since the 1930s. Its BBC-era monitors became the reference in the control rooms of Abbey Road, Olympic, Decca and Trident — and the current range is built the same way, around a single point-source drive unit, a hand-built crossover and a birch ply cabinet.
Music-lovers who listen at home know that the loudspeaker plays an extremely important part in determining the naturalness and refinement of the musical result. Lockwood's aim has always been to reproduce music, not just sound — converting electrical energy into acoustic energy with the least possible distortion, balancing clean highs and natural lows around the crystal-clear midrange where the ear is most sensitive, and matching the finest drive units to an enclosure built to suit them. It is the same standard Stanley Timms set when he began building loudspeakers as a carpenter in the 1930s, and the reason his cabinets ended up in the studios where the century's best-known records were made.
The innovations that make Lockwood products extraordinary.
Hand-built, and kept out of the way.
Every model in the range uses the Lockwood A Series crossover — hand-built from premium components and wired internally with OFC cable. The design goal is a signal path short and clean enough that the drive unit is the only thing shaping the sound.
18 mm birch ply, built in the UK.
Cabinets are made from 18 mm birchwood ply using construction techniques refined over nearly a century — vented on the Major and LE1, infinite baffle elsewhere — then finished in walnut veneer, or in any Pantone colour on the Universal Stanley models. The enclosure is treated as part of the acoustic design rather than a box to put a driver in.
Craftsmanship, precision, and engineering — behind the scenes at Lockwood.






Visit our showroom for a personal demonstration of Lockwood's extraordinary products.
For complete specifications and technical details, visit the official Lockwood website.